TIM PERKIS
TIM
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BIOGRAPHY
TIM PERKIS has been working in the medium of live electronic and computer sound for many years, performing, exhibiting installation works and recording in North America,Europe and Japan. His work has largely been concerned with exploring the emergence of life-like properties in complex systems of interaction.
In addition, he is a well known performer in the world of improvised music, having performed on his electronic improvisation instruments with hundreds of artists and groups, including Chris Brown, John Butcher, Eugene Chadbourne, Fred Frith, Gianni Gebbia, Frank Gratkowski, Luc Houtkamp, Yoshi Ichiraku, Matt Ingalls, Joelle Leandre, Gino Robair, ROVA saxophone quartet, Elliott Sharp, Leo Wadada Smith and John Zorn. Ongoing groups he has founded or played in include the League of Automatic Music Composers and the Hub -- pioneering live computer network bands -- and Rotodoti, the Natto Quartet, Fuzzybunny, All Tomorrow's Zombies and Wobbly/Perkis/Antimatter.
His occasional critical writings have been published in The Computer Music Journal, Leonardo and Electronic Musician magazine; he has been composer-in-residence at Mills College in Oakland California, artist-in-residence at Xerox Corporation's Palo Alto Research Center, and designed musical tools and toys at Paul Allen's legendary thinktank, Interval Research.
His checkered career as a researcher and engineer has brought him a variety of interesting projects: designing museum displays for science and music museums in San Francisco, Toronto and Seattle, creating artificial-intelligence based auction tools for business, building scientific experimental apparati, consulting on multimedia art presentation networks for the SF Art Commission and SF Airport, writing software embedded in toys and other consumer products, and creating new tools for sound and video production, research and analysis.
Recordings of his work are available on several labels: Artifact,Limited Sedition, 482, Lucky Garage, Praemedia, Rastascan and Tzadik(USA); EMANEM(UK); Sonore and Meniscus(France); Curva Minore and Snowdonia(Italy); XOR(Netherlands); Creative Sources(Portugal).
He is also producer and director of a feature-length documentary on musicians and sound artists in the San Francisco Bay area called NOISY PEOPLE (2007).
STATEMENT
I
like to consider human-machine interaction as a new form
of social interaction. What's interesting to me about computers is their
ability to serve as a framework for embodying systems offering complexity
and surprise. Unpredictability is what makes social life so interesting,
it is what makes art so interesting, and it's what can make computers,
as partners in art making, interesting. I don't use computers to simply
carry out ideas I may have: I'd rather work in situations that force me
to respond to surprises that are dealt to me by systems whose complexity
and unpredictability are so high that their behavior can not be known in
advance. All of my computer based art work has been concerned with creating
social (or synthetic social) situations, which have enough complexity to
behave like real life: in fact, to be real life of some new kind. The system
in question in almost all of these pieces consists of human beings and
machines in cycles of mutual influence and response.
For
more a more detailed discussion of these issues, see my article Bringing
Digital Music to Life. |